My Little Grass Shack

What I’m playing on my ukulele right now:

My Little Grass Shack by Bill Cogswell, Tommy Harrison and Johnny Noble

Well it has been awhile since I’ve posted—my apologies! My wife and I have been preparing for our long-delayed honeymoon to Hawaii and there was a lot to finish up before we left.

And here we are on the island of Maui!

As I sit here being kissed by tropical breezes on the lanai overlooking Lanai and Molokai, I am happy to report that I have now completed my collection of ukuleles with my new toy—a Hawaiian koa-wood pineapple concert ukulele. It makes my little Aspie heart leap.

I was hoping to find a ukulele made here in the islands, but due to the labor-intensiveness of hand-making a uke, the costs are way out of my reach. Still, I was able to find one at the Mele Ukulele Company here on Maui. Although it’s made in the Philippines, it’s to Mele’s design and is made from koa from the Big Island.

What was interesting is that almost all the ukuleles at Mele were strung with a low G-string, so that the ukulele’s peculiar second low string was abolished in favor of a more guitar-like tuning, going low to high. While tuning the uke with a low G makes for a richer sound (baritone ukes are tuned this way), it loses that great ukulele sonority, sounding more like a high-pitched guitar. It makes me wonder whether this tuning is popular because of the large number of guitar players who have ventured into the ukulele. Maybe it’s more comfortable for them than to have to deal with the low C string in the middle of the instrument.

I love my new ukulele! It’s been great fun to strum, mai tai in hand (between chord changes), and watch the sun set over the island of Lanai.

You Want Me to Do What With Your Whistle?!

What I’m playing on the ukulele right now:

For You a Lei by Johnny Noble

 I’ve been posting videos of me playing songs on the ukulele since my very first post, and if you look back on what I’ve done you’ll see that I have a love of Tin Pan Alley songs from the 1920s and 1930s. Until recently I was never sure why those songs have taken hold of me more than the songs written during my own lifetime. Now I think I know.

Let’s see if I can explain.

Here is a sample of lyrics from the numbers 1,2 and 3 on the Billboard Top 100 for the week of September 14, 2012:

#1—Taylor Swift—We Are Never Ever Getting Back Together

We are never ever ever getting back together

We are never ever ever getting back together

You go talk to your friends, talk to my friends, talk to me

But we are never ever ever ever getting back together

Like, ever…

I’m really gonna miss you picking fights

And me, falling for it screaming that I’m right

And you, would hide away and find your peace of mind

With some indie record that’s much cooler than mine

#2—Maroon 5—One More Night

You and I go hard

At each other like we going to war

You and I go rough

We keep throwing things and slamming the doors

You and I get so

Damn dysfunctional we stuck keeping score

You and I get sick

Yeah I know that we can’t do this no more

#3—Flo Rida—Whistle

Can you blow my whistle baby, whistle baby?

Let me know

Girl I’m gonna show you how to do it

And we start real slow

You just put your lips together

And you come real close

Can you blow my whistle baby, whistle baby?

Here we go

(Look) I’m betting you like people

And I’m betting you love creep mode

And I’m betting you like girls that give love to girls

And stroke your little ego

Compare that to the top 3 songs of 1922:

#1—Al Jolson—April Showers

 

Life is not a highway strewn with flowers,

Still it holds a goodly share of bliss,

When the sun gives way to April showers,

Here is the point you should never miss.

Though April showers may come your way,

They bring the flowers that bloom in May.

So if it’s raining, have no regrets,

Because it isn’t raining rain, you know, (It’s raining violets,)

And where you see clouds upon the hills,

You soon will see crowds of daffodils,

So keep on looking for a blue bird, And list’ning for his song,

Whenever April showers come along.

#2—Paul Whiteman—Three O’Clock in the Morning

 

It’s three o’clock in the morning

We’ve danced the whole night through

And daylight soon will be dawning

Just one more waltz with you

That melody so entrancing

Seems to be made for us two

I could just keep on dancing forever dear with you

There goes the three o’clock chime, chiming, rhyming

My heart keeps beating in time

Sounds like an old sweet love tune

Say that there soon will be a honeymoon

#3—Paul Whiteman—Stumbling

 

“Tention folks, speak of jokes

This is one on me

Took my gal to a dance

At the armory

Music played, dancers swayed

Then we joined the crowd

I can’t dance, took a chance

And right then we started

Stumbling all around, stumbling all around

Stumbling all around so funny

Stumbling here and there, stumbling everywhere

And I must declare, I stepped right on her toes

And when she bumped my nose

I fell and when I rose

 I felt ashamed and told her

That’s the latest step, that’s the latest step

That’s’ the latest step, my honey

So for those of you playing the at-home game, here’s the scorecard:

1922

2012

April Showers—Endurance and keeping a positive attitude in the face of adversity We Are Never Ever Getting Back Together—Attitude. Well that and being really pissed off at Jake Gyllenhaal 
Three O’Clock in the Morning—Love, marriage and dancing  One More Night—Violent relationships
Stumbling—Love, marriage and bad dancing Whistle—Criminy! Do I really have to explain it to you? 

Why, then, do the lyrics from 1922 sound sweetly naïve and a bit corny? Or rather, what does that say about our time that flipping attitude, violence and..uh..whistling speaks to us more clearly than love, dancing and a positive outlook? Human feeling and expressions—and whistling, for that matter—have been with us since the beginning of time, and songwriters have expressed these emotions throughout history. But in the 1920s love, marriage and dancing were very common song subjects. Have we stopped loving or marrying or dancing? Of course not! But why have these subjects been underrepresented in today’s music?

I think we as a society have a joy deficit. We have become shamed out of dancing badly with the one we love, singing and smiling. We need fewer hate-spewing politicians and pouty, spoiled pop stars and more ukuleles.

My advice? Don’t waste anymore time; grab the one you love, sing, dance and play the ukulele!

The Dreaded 4-Finger Roll

What I’m playing on my new toy—the 1920’s era banjolele! (With thanks to my Sweetie. What can I say? I have a great wife! See The One That Got Away)

Big Bad Bill by Milton Ager and Jack Yellen

When you hear really good ukulele players, you will often hear a rapid da-da-da-DUM strum before certain measures of music. This is commonly known as the 4-Finger Roll, where the player flicks his or her right hand fingers in quick succession, making a sound similar to a drum roll. The players of the 1920s, particularly Cliff “Ukulele Ike” Edwards, had the 4-Finger Roll down to a science and used it extensively.

It seems to be a stroke that is endemic to the ukulele. Other plectrum instruments—guitar, banjo, mandolin and the like—don’t seem to use it, but you do hear something of the sort from flamenco guitar. Considering that the ukulele is derived from the machete, cavaquinho and rajao, brought to the Hawaiian Islands by the Portuguese, I suppose it makes sense that Latin techniques would become part of the ukulele landscape.

However it made its way to the ukulele, it sounds really neat.

There are 2 ways to do a 4-Finger Roll—forwards and backwards. The forward way is the one Cliff Edwards used with 1-2-3-4, holding back each finger with your thumb. The backwards way—which, I believe, is the more traditional flamenco way, is to do the same, but with 4-3-2-1. Done correctly, you get a nice, even triplet before the beat. Sounds simple, doesn’t it?

Well, it isn’t.

Most of my attempts result in da-da-THUD, sometimes da-THUD or even just THUD. Like a good musician, I’ve been practicing it slowly:

da——–da——–da——-DUM

Speeding it up…

da—–da—–da—–DUM

da—-da—-da—-DUM

da—da—da—DUM

da–da–da–DUM

da-da-THUD!

I know what you’re thinking.

It’s been 306 words and he hasn’t mentioned the word “Aspergers,” “Aspie” or any other form of autism. Well that’s where you’re wrong. This is Asperger’s Ukulele, after all and I’m not one to disappoint.

You see, within an Aspie’s Special Interest there are little Special Interests contained within! It’s sort of like the finding prize in each specially marked box of Quisp, and it’s every bit as disappointing and irritating as your average cereal box plastic decoder ring (and if you get that reference, you’ve seriously dated yourself).

For me the 4-Finger Roll is my Special Interest within the Special Interest! Not only can’t I quite seem to get the 4-Finger Roll right, but I find myself practicing it on every animate and inanimate object I can get away with. So far, my wife and son have been spared but I don’t know how much longer I can hold out.

My right thigh has been the most repeated, egregious victim of my 4-Finger obsession, as has the steering wheel of my car. I’ve been doing a lot of freelance playing this summer, which has kept me stuck in LA traffic for many, many long hours. How do I keep my self-occupied (in addition to trying not to run into the car in front of me)?

Both hands on the steering wheel at 2:00 and 10:00, and…

da-da-da-DUM!

da-da-da-DUM!

da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM! da-da-da-DUM!

Me and My Ukes

What I’m playing on the ukulele right now:

Honey by Seymore Simons, Haven Gillespie and Richard A. Whiting

It’s high time that I completely Aspie out and tell you about my instruments.

Ukuleles come in four sizes—soprano (or standard), concert, tenor and baritone. I am fortunate enough in the 4 months I’ve been playing ukulele to have 3 of them.

My soprano uke was given to me by my father when I was about 9 years old. When most people think of the ukulele, they think of the soprano uke. I had seen my Dad play his ukulele many times. Dad’s Martin—considered the Rolls Royce of ukuleles—has been with him through thick and thin since 1952 and resides permanently at their cabin in Lake Arrowhead. After begging Dad to show me a few chords, I asked for one for my birthday. It’s a 1950’s vintage Luna made by the Kiwaya Company of Japan, purchased at Saul’s Pawn Shop in South El Monte. My rediscovery of the ukulele is for another blog post. I keep the soprano tuned in D—A-D-F#-A—which was favored by vaudeville performers. It’s perfect for Tin Pan Alley songs.

The tenor ukulele, slightly larger than the soprano, is the new kid on the block, and is a bit of an oddball (much like its owner). It’s a RipTide Ukulele from the Boulder Creek Guitar Company of China. What makes it so strange is that it has 2 oddly-placed sound holes; a small off-center hole near the fretboard and a larger hold facing me on the side. This one is tuned in the standard G-C-E-A tuning. I like using my tenor uke for love songs and Hawaiian tunes. I’m using the tenor in the video for Honey.

The third one is a beautiful 1950s Harmony baritone ukulele that belonged to my Aunt Eunie. My Cousin Lisa gave it to me a few weeks ago, and I am honored to have it. After a new set of strings and a restoration by Red Zone Guitar Works in Pasadena, it looks and sounds amazing! The baritone has a different tuning altogether—D-G-B-E—basically the same as the top 4 strings on a guitar. Because the strings are still pretty new, it’s not holding its tuning yet. I’ll post a video of it in the coming weeks.

Also, my Honey and I will be heading for a long-delayed honeymoon to Hawaii in a couple of months. I’m hoping to complete my collection with a Hawaiian-made concert ukulele.

Asperger’s and Ukuleles

Tom with Ukulele

My name is Tom Peters. I am a professional musician, composer and non-profit consultant. I’m 48 years old with a wonderful wife and son. I also have Asperger’s Syndrome.

So what is Asperger’s Syndrome?

Asperger’s Syndrome is a mild form of autism, characterized by an inability to understand how to interact socially. Those of us with Asperger’s—or Apies, as a term of endearment—tend to have few facial expressions and are apt to stare blankly at other people. It’s nothing personal; we really can’t help it.

Aspies are often accused of being “in their own world” and preoccupied with their own thoughts.  We are often clumsy with uncoordinated movements, are socially awkward, have repetitive routines or rituals, odd speech and language, and non-verbal communication problems. God knows, I qualify for all of those!

So why is this blog called Asperger’s Ukulele? One hallmark of Asperger’s Syndrome is an intense interest in one or two subjects, and we often torment those around us about our special interests. For me, one special interest led to another. I know, I know…I’m being all Aspie and not getting to the point, but bear with me—I’m getting there.

In addition to performing classical music, I compose and perform live film scores here in Los Angeles for films from the silent era. Last November I was working on a new score for the original film version of Chicago. I needed a jazz-era score, so I pressed my Grandfather’s banjo into service and blew the dust off my old ukulele. The ukulele stuck.

After playing classical bass for nearly 40 years, I’m now on an interesting journey in learning a new instrument. I hope you’ll join me on my voyage of self-discovery and music.